Mooch Focus - Danny Cawley

On first glance the place is an outrageous mess. Its like a paint factory where a series of small explosions have gone off. Canvasses are laid out flat on the floor all in varying stages of drying and they cover most of the available space. Dannys studio is big though, it needs to be. This was my 1st visit to Danny Cawleys studio in east manchester. A room in an old mill that artists rent out because no one else could put up with the lack of heating. I entered slightly out of breath from climbing the 4 flights of stairs.
Stepping through the maze of canvasses on the floor and you start to see order in the chaos, beauty in the mess. The smell of paint is really strong, oil based, emulsion and spray paint cover the canvasses. The odd squelch of carpet is because of the water he uses in the process. This also explains why he work flat.
This is one of the great things about the artist Danny Cawley that is so far removed from the typical view of an artist. Sat next to the middle aged watercolourist sitting with easel en plein air, Danny looks, sounds and paints very differently. The art is abstract, bold and urban and is a reflection of Danny himself. A former graffitti artist he challenges what we consider to be "Fine art". It doesn't whisper, It shouts. It doesn't mince its words, It tells you as it is.
Going to the same school and growing up in the same neighbourhood as Liam and Noel makes me think that Manchester is a great breeding ground for creative brains. His swagger and manc accent says "I don't do art bollocks". I know what he means. He does it his way and he does it purely to get the best result. Tear up the rule book and paint how you want. If we always do what we've always done, we'll always get what we always gotten.
Danny takes me through the paintings that are stacked high all around his studio walls. He clearly loves what he does. He is borderline going full time but for an artist thats like stepping off the edge of a cliff and you are at the mercy of the fickle art market. I point out that Lowry alway held his job as a rent collector throughout his life even when he became well known.
I came away from the studio impressed, having selected some great work to display with the gallery.
I meet a lot of artists and see a lot of work. I look for the right attitude because to succeed as an artist you need to be mentally tough and damned determined. How else can you take being constantly judged in a few seconds by hundreds, if not thousands of people. So coming away from the studio I was impressed as much by his determination as by his art.
Danny perhaps arrogantly said he is a name to watch out for in the future. With most artists I would discount this as naive bull. But with Danny I believe he has the trousers to match his mouth. Watch this space.

Mooch Boom time?

The past week has been just crazy. Sales have been great and It finally feels like people are coming out of their post Christmas/recession blues. I feel that enough has been written about the recession already and most people are getting a little tired of the media bringing us all down. Franklin Roosevelt said is beautifully in 1932 "the only thing we have to fear, is fear itself". Therein lies the problem and the solution to our economic woes.

I see it a lot in some people buying artwork. The way people decide what they buy, and even if they buy, is fascinating to me. Much of the time you have to go with your gut instinct and for some people this is really strong and they can have reached a decision within 5 seconds.
Phil at Ascot studios see a lot of very successful people come into his gallery and believes they have a very opinionated and decisive approach when choosing their artwork. This makes sense as to be successful you need to know what you want and make positive decisions on how to get there. We are all the sum of our choices. Flapping and indecision only costs time and money.

Gallery owners appreciate honesty when people look around. If you had a big bit of Parsley inbetween your front teeth, you wouldn't appreciate going through the whole day without someone telling you. Feedback is really important and honest opinions are what drives the development of the gallery and the artwork it shows. If you are a customer reading this, and you come into the gallery, don't be afraid to say you hate something. The worst possible reaction would be indifference but we seem to be getting the right artwork in.

It's important for me to stay down to earth when talking about the artwork. Complex, poncey jargon is not what mooch is about. All I really want to provide is information because I strongly believe that quality sells itself.